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Meinl Symphonic Gongs / Tam Tams

Meinl

m-SY-TT24-amz

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This listing does not include a gong mallet.

You can find a selection of Meinl Mallets here.


Gong Notes: G2 - G#2

Meinl Symphonic Gongs (Tam Tams) are handmade in Germany with a specially formulated Nickel Silver Alloy (called N12). They are all protected with a special wax.

These gongs are tuned in a half-tone range. They are gongs, so naturally there are many overtone-rich harmonics that build after the initial note. However, this tuning assures that there is much time and care in the making of each gong.


Gong Notes: E2 - F2

Meinl Symphonic Gongs (Tam Tams) are handmade in Germany with a specially formulated Nickel Silver Alloy (called N12). They are all protected with a special wax.

These gongs are tuned in a half-tone range. They are gongs, so naturally there are many overtone-rich harmonics that build after the initial note. However, this tuning assures that there is much time and care in the making of each gong.


Gong Notes: C#2 - D2

Meinl Symphonic Gongs (Tam Tams) are handmade in Germany with a specially formulated Nickel Silver Alloy (called N12). They are all protected with a special wax.

These gongs are tuned in a half-tone range. They are gongs, so naturally there are many overtone-rich harmonics that build after the initial note. However, this tuning assures that there is much time and care in the making of each gong.


Gong Notes: A1# - B1 (H1)

Meinl Symphonic Gongs (Tam Tams) are handmade in Germany with a specially formulated Nickel Silver Alloy (called N12). They are all protected with a special wax.

These gongs are tuned in a half-tone range. They are gongs, so naturally there are many overtone-rich harmonics that build after the initial note. However, this tuning assures that there is much time and care in the making of each gong.


Gong Notes: G1 - G#1

Meinl Symphonic Gongs (Tam Tams) are handmade in Germany with a specially formulated Nickel Silver Alloy (called N12). They are all protected with a special wax.

These gongs are tuned in a half-tone range. They are gongs, so naturally there are many overtone-rich harmonics that build after the initial note. However, this tuning assures that there is much time and care in the making of each gong.

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